Rhinebeck Writers Retreat is hosting nine consecutive weeklong residencies between July 1 and September 2 in summer 2018 for nine musical theatre writing teams. Each team will live in a private home in the Hudson Valley near Rhinebeck, New York and do nothing but write their new musical. While you are here, all of our resources are devoted exclusively to you. There is only one musical theatre writing team in residence each week. The first application deadline is February 16th at 6:00pm and there is no submission fee. After that, there is a fee of $20 and the final application deadline is February 23 at 6:00pm.
All the writers’ costs are covered by our generous donors including New York State Council on the Arts, The ASCAP Foundation Bart Howard Fund, The Noël Coward Foundation, and The Frederick Loewe Foundation. Thanks to all our donors, Rhinebeck Writers Retreat provides:
-A fully furnished private home for one week, Sunday to Sunday
-Food – you shop on the first day and cook for yourself
-Piano – A Yamaha AvantGrandN3 hybrid baby grand piano and an upright acoustic piano
-Travel — Round trip train from NYC to Poughkeepsie. If you live outside of NYC, we reimburse actual travel expenses up to $750 per writer.
-A $500 stipend for each writer
-Peer advisor – If you wish, you can work with one of our Sounding Board members (artistic advisors) before coming, to take full advantage of your residency at Rhinebeck Writers Retreat.
-You apply with one musical, which can be at any stage of development, as long as it has not been published or licensed. It is fine if you have already had a production and now wish to do more rewrites. If you don’t have a first draft, you will submit a detailed outline of the musical you want to work on plus an excerpt from another play by the bookwriter.
-The application requires 5 songs. If 5 songs aren’t yet completed from your musical, you will include other songs by the composer, but at least 2 of the 5 songs must be from the submitted musical.
-Writers can be early-career or established. You will be applying as a team, with one person designated as the “Primary Contact”, who will be responsible for communicating all information to the rest of the team.
-If you are a solo writer, please note that our panelists have historically given preference to collaborating teams, because of our value in bringing writers together for intensive work. Use the “Background and artistic goals” statement to make your case for your need for a week alone to work.
– If you work collaboratively with a director, choreographer, or other creative partner in your development process, it is fine to apply as a team. However, only the writers will receive the $500 stipend. Make your case for your need to be together for a week in your artistic statement.
-All writers must be in residence the entire week, Sunday to Sunday. In the application, you indicate which weeks your entire team is available. If your application reaches the finals, you can update your availabilities at that time.
-A musical can only be submitted twice to Rhinebeck Writers Retreat.
-If the project is not wholly original or in the public domain, you must have all necessary rights for all levels of production. If you make the finals, you will be asked to provide documentation.
-Music must be original, not from a pre-existing source.
-We don’t discriminate on the basis of race, color, national origin, disability, religion, age, or sex. If a writer requires wheelchair access, we will provide accessible housing for the entire team in one location, upon request.
-We want to consider all applicants no matter what their living arrangements require (i.e. one writing partner has a child and a caregiver). If your application is selected, we will work with you to meet those needs.
-For some weeks, we host a “Meet the Writers” event on the last night, which is a fun, informal gathering where you talk about your show and share a few songs with members of the public.
-Due to the number of submissions, we regret that we can’t provide feedback on applications or the panelists’ decisions.
-There are no pets and no smoking allowed in the writers’ home.
-If you are selected, there is an agreement we sign. We ask for no money and we don’t take a royalty. The only thing we require is a title page credit on all future readings, showcases, productions, and publications as follows: “Title of musical was developed, in part, at Rhinebeck Writers Retreat.”
-There are two rounds of evaluation. In the first round, applications are reviewed by 2 readers and are judged on the quality of the musical. You will know by late-March whether or not your application will continue to the final round.
-In the final round, all applications are read by members of our Sounding Board, who judge on the quality of the musical and also the writers’ goals for the week as stated in the “Background and Artistic Goals.”
-The final selection will be made in early May.
If you have any questions at all, don’t hesitate to email RhinebeckWriters@gmail.com
First deadline is February 16 at 6:00pm and there is no submission fee. After that, there is a $20 fee and the final deadline is February 23 at 6:00pm.
Before you begin the online application, have all your information ready. You have to complete it in one sitting. Everything you need to gather for the online application plus lots of other important information is on this page:
You will submit 5 songs with 5 links to MP3 files via Dropbox. If you don’t have 5 songs from the musical you are submitting, at least two of the five must be from the submitted musical and the remaining songs will be by the composer from a different project. Refer to the “Everything you need” document for specific instructions.
There is no fee for applications received before February 16 at 6:00pm. After that, you will pay a $20 submission fee until applications close February 23 at 6:00pm. Secure online payment services are provided by NYCharities.org. Please note that this covers our administrative costs and is not a donation:
Pay $20 application fee after February 16 at 6:00pm